Showing posts with label Prizes. Show all posts
Showing posts with label Prizes. Show all posts

Sunday, January 19, 2014

Enor Call for Entries

Juan Santos Domingo, Museo del Agua, Lanjarón, Granada, Premio Enor 2011
The bases are out for the VI Ascensores Enor Architecture Prize 2014 for work in Spain and Portugal, including works completed between 2010 and 2013. Deadline for entries is March 15, 2014.

The two main prizes are:
  • Ascensores Enor Grand Prize: 8,000 Euros
  • Enor Prize for work by an architect under the age of 40: 4,000 Euros
More information:
http://www.enor.es/premio

Enor is based in Vigo, Galicia. The Prize offers a window into the profession from a perspective different from the usual centers of self-attention in Madrid or Barcelona. I served on the jury a few years ago, at the invitation of its director, the architect Carlos Quintáns.

From the bases:

Entry form:

Monday, December 23, 2013

Enter Velux Awards for Architecture Students

I have received the following announcement from The Architectural Review (UK) and a Velux, manufacturers of skylights and blinds:


INTERNATIONAL VELUX AWARD 2014
FOR STUDENTS OF ARCHITECTURE
 

   
  The VELUX Group challenges students of architecture from all over the world to explore and investigate daylight in architecture under the overall theme Light of Tomorrow. With a generous prize fund of 30,000 euros, the International VELUX Award is open to creative reflections on the role of daylight in architecture; not just as a design component or external factor, but as a central issue concerned with shaping architecture and promoting sustainability.

Entrants can freely explore the role of daylight in the built environment, whether focusing on daylight in urban contexts, in individual buildings, or as a more abstract concept.

The Award encourages an open-minded dialogue on the nature of the light of tomorrow based on experimental approaches and imaginative thinking. In particular, it focuses on the importance of sunlight and daylight in the context of sustainable development, taking human needs and the rhythms and balances of nature into account.

This year’s international jury comprises Craig Dykers, founding partner of Snøhetta; Roísín Heneghan founding partner of Heneghan Peng Architects; Magda Mostafa, Associate Professor at the American University in Cairo; Catherine Slessor, Editor of The Architectural Review and Per Arnold Andersen of The VELUX Group....

Registration is now open. Students must register before 3 March 2014 and the final deadline for submission of entries is 2 May 2014.
See more at: http://iva.velux.com
 
 



Friday, August 23, 2013

Highlights of the XII Biennial

B Congress Center, Cartagena by selgascano. Photo: Iwan Baan

Announced last May, we present highlights from the 15 winning projects and 27 finalists of the XII Biennial of Spanish Architecture, for works completed between 2011 and 2012.

The jury was led by Fuensanto Nieto and Enrique Sobejano, and included Andrés Jaque, Sol Madridejos, Rafael Aranda (of RCR), Matthias Sauerbruch and Wilfred Wang.

All photos from the Biennial web page (visit it here).


Lalín City Hall by Mansilla + Tuñón

Campo de la Cebada, Madrid
This public garden on an empty lot owned by the city has been developed by an open, non-hierarchical collective of architects, neighbors, neighborhood associations and cultural groups. It is one of several such projects in the city's center.

Subsidized housing, San Vicente del Raspeig, Alicante, by Aldredo Payá. Photo: David Frutos


Restoration, Hippodrome de la Zarzuela, Madrid by Junquera Architects
Eduardo Torroja's great thin-shell vaults, from 1936, part of Carlos Arniches and Martín Domínguez's design for the racetrack, restored by the firm that has restored other works by the architects in Madrid. The project is a functioning racetrack.

Pilgrimage Museum, Santiago de Compostela, by Manuel Gallego
Gallego: 
"The building is not indifferent to its proximity to the Cathedral." 
"The route through the exhibition also leads towards a vision of the city and the Cathedral..." 
"Intensity is the necessary precondition for architecture."

Consolidation of Roman remains at Can Tacó, by Toni Gironés
The archeological site dates from the II Century BC and is located in a natural reserve in Montornès del Vallès, Barcelona.


School for Infants, Pamplona, by Pereda Pérez Architects. Photo: Pedro Pegenaute

Cineteca, Matadero, Madrid, by Churtichaga+Quadra-Salcedo Architects

Medialab-Prado, Madrid, by Langarita-Navarro Architects
Like the Matadero complex above, this is another restoration of an old factory in Madrid's center. And like many new cultural facilities around Spain, the project lacks funding to go into operation due to the crisis. Victor Navarro is the son of architect Juan Navarro Baldeweg (see next project).

Hertzian Library, Rome, by Juan Navarro Baldeweg
Built in the former gardens of the Palacio Zuccari, which were orignally part of the terraced gardens of Lúculo, a Roman villa, a circumstance that Navarro took into account in his design.

Local government offices, Zamora, by a team lead by Alberto Campo-Baeza


I've left out some urban projects in the above listings. 
From the finalists, the following projects looked interesting:


Recreation Center, Azuqueca de Henares, Madrid, by Ábalos+Sentkiewicz
 Iñaki Ábalos is the new Chair of the architecture department at Harvard's GSD.

Susidized housing, Coslada, Madrid, by Amann, Canovas + Maruri

Lounge Tepoztlan, Morelos, Mexico, by Cadaval & Solà-Morales

Youth Factory, Mérida, by selgascano

Subsidized housing, Sa Pobla, by José Ripoll + Juan Miguel Tizón

Restoration, Goián fort and river beach, Tomiño, Pontevedra, by Pablo Galleo Picard
Pedro is the son of architect Manuel Gallego (see above).

Dreamhamar, Norway, by Ecosistema Urbano

Tuesday, August 6, 2013

"AR House 2013" Award to Grupo Aranea

© Jesús Granada

Still catching up on my July articles, I wrote in The Architectural Review on the Lude House in Cehegín, Murcia by Francisco Leiva and Martín López Robles of Grupo Aranea, based in Alicante. The design shares AR's HOUSE 2013 Award (see the full article here).
"The spiral pull of the design carries visitors up to the roof, which visually connects the house to its natural setting, lifting it out of the mundane local streets to find its place in the wider world, almost like a Greek temple. Up on the roof, Francisco Leiva eagerly points out the sights, from the choppy roofscape of the houses below, invisible from the street, to the profile of the historic town center on its hill in the near distance, and the bowl of mountains and hills surrounding the town, with their orchards of apricots and other fruit trees, or cut by the terraces and tailings of marble quarries.... The overlapping, spiral movement of this little house is like that of a sprouting seed, an organic life force in vital contact with planet Earth."
AR House 2013 Joint Winner
Casa Lude, Spain by Grupo Aranea
The Architectural Review
Vol. CCXXXIII, No. 1397
July 2013, pages 30 - 37

The architects on the roof by DC

View of town with unfinished public water park



View of distant marble quarries from roof of house

Tuesday, December 4, 2012

FRPO in Design Vanguard

Pablo Oriol, left; Fernando Rodríguerz, right. Photo: DC on MO House roof
The annual Design Vanguard issue of Architectural Record, dedicated to a 10 young firms worldwide, includes my article on the Madrid firm FRPO (Fernando Rodríguez and Pablo Oriol). Full text and pictures can be found here.
"Their [design] process often involves breaking the building program into its basic elements, which they then weave back together in surprising ways....  The method can produce very compact designs, such as the OS House on the coast of Cantabria, Spain (2005; with Marco González), or ones that spread like an amoeba between the trees (MO House, Madrid, 2012)."

MO House.Photo © Miguel De Guzmán, from the article


Access and Services Building, City of Justice, Madrid. Photo © Federico López 
SO House. Photo © José Hevia

Design Vanguard:
FRPO (Rodríguez & Oriol Architecture)
Architectural Record, December 2012

Friday, November 30, 2012

No Bull

Canteen. Image courtesy of the architects

The cover story in December's Architectural Review (London) features my article on the Red Bull Music Academy in Madrid's Matadero Cultural Center by Langarita Navarro Architects. The project is one of four winners in the Review's annual AR+D Awards for Emerging Architecture.
"María Langarita summarises, ‘Buildings are like ships that travel in time, with certain technologies from the past, and you decide if you are going to send those technologies again into the future or not.’  In the case of the Matadero, their project promises to quietly disappear, like the village of a nomadic tribe in the underbrush, while sending the naves onward towards a more durable reincarnation."
Red Bull Music Academy
Matadero Cultural Center, Madrid, by Langarita Navarro Architects
The Architectural Review, December 2012, page 46, cover

Hidden corner of the Academy. Photo by DC

Sunday, November 25, 2012

Call for Entries

The editors of Architectural Record announce the 2013 Record Houses awards program. Entry is open to any architect registered in the U.S. or abroad. Of particular interest are projects that incorporate innovation in program, building technology, materials, and form. Projects must be built and inhabited. They may be new construction or renovated and adaptive reuse projects. Entries must be approved by client for publication and if selected, be available for a visit by a writer.
Deadline is January 4, 2013.
For more info and to enter, click here.



The editors of Architectural Record are currently inviting submissions for the 2013 ARCHITECTURAL RECORD GOOD DESIGN IS GOOD BUSINESS awards program.
Deadline is February 15, 2013.
For more info and to enter, click here.

Friday, October 19, 2012

Prize Fever Meets Spain's Coastal Law

Abandoned Club Med, Cabo de Creus, from Erase una vez un club
More catching up:
A September story in El País reports the European Landscape Biennial's Prize going to the restoration to an "undeveloped" state of the Cabo de Creus on the Cosat Brava north of Barcelona, former site of a Club Med resort. The restoration was led  by Martí Franch and Ton Ardèvol.

You can't  completely erase development, and a natural environment is a mutable thing. The architects' sensitive handling of such questions seems to have contributed to their recognition.

Following the Ley de Costas or Coastal Law passed in 1988, the Spanish government has been reclaiming prime coastal frontage as public property, and has proceeded in many places to demolish existing constructions on public land, from summer mansions to beachfront snack shacks and entire vacation communities.

Built in 1961, the Club Med was an interesting artifact, as documented in the program Erase una vez un club on RTVE, Spain's public television. But the restoration is a big improvement.

The effect of the Coastal Law has been a bit brutal at times in its effort to fight the brutal over-development of Spain's coasts in the name of nature and the environment. To make matters worse, the current conservative government has put much of it on hold, giving beach house owners a 75-year moratorium.

The right of public over private interest seems basically correct in theory. But what's wrong with having a modest place to get a drink and a sandwich on the beach? And when well-designed, what's so bad about coastal development?  Older communities tend to grown fairly well into a landscape, or we get used to them, so why blow them away together with all the unlicensed recent encroachments? Hopefully, the new moratorium means that the current  government is ready to take on more of these nuances.

But let's go back to the European Landscape Prize. If you go the the Biennial's web site, you find that it is organized by the Catalan College of Architects in Barcelona, the local professional association. And the prize goes to a local project.

So why is it called European?

The Catalans have become accomplished at this kind of clever marketing.

Another grandly-titled award, the Mies van der Rohe Prize for European Architecture, was dreamed up in Barcelona to give Mies' rebuilt Barcelona Pavilion a useful function. Its web page boasts that "Candidates for the Award are put forward by a broad group of independent experts from all over Europe, as well as from the architects' associations that form part of the European Council of Architects and other European national architects' associations". The page also highlights the award's financial backing by the European Union, but the Union logo on the web page comes with this interesting disclaimer:





So is it European or what?

Of course the same chutzpah went into the making of the Nobel Prizes by another small and peripheral country. Not to mention the Pritzker or the Praemium Imperiale in the field of architecture.

But despite their efforts, I haven't seen these Barcelona-based awards getting the international attention they seek. Maybe the Ringling Bros. Barnum & Bailey Circus could teach them something. They could  try calling themselves the Biggest Biennial World Landscape Prize in the Universe. That should bring in the crowds.

Sunday, October 14, 2012

FAD Prizes Turn to Madrid


Matadero. Casa del Lector by Antón García-Abril. © Roland Halbe

Catching up on news, the winners of the 2012 FAD Prizes were announced this summer. And though based in Barcelona and traditionally anti-centric, the two most significant awards this year went to projects designed by multiple teams in Madrid.

The Prize for Architecture went to the conversion of the sprawling halls  of Madrid's early 20th century slaughterhouses, the Matadero, into a sprawling cultural center.

Madrid Rio. Bridge by Dominique Perrault. Photo: DC
 And the City and Landscape Prize went to the equally sprawling  Madrid Rio, a 10-kilometer park along the banks of the Manzanares River, passing directly in front of the Matadero. It was designed by a team lead by Ginés Garrido and including the firms Burgos & Garrido, Porras La Casta, Rubio & Álvarez-Sala and West 8, with special interventions by Dominique Perrault (pedestrian bridge over the river) and others.

Like Madrid Rio, the Matadero project has is sponsored by the municipal government, which has conceived the complex as "a creativity support center." And it describes the rehab of the existing pavilions as a "field of experimentation for new architecture" (both quotes from the Matadero web page).

Spaces include:
  • Nave 16, dedicated to art and artists' studios, by the architects Alejandro Vírseda, Iñaqui Carnicero and Ignacio Vila Almazán.
  • The Casa del Lector or House of the Reader, operated by a private foundation and opening this month, by Antón García-Abril
  • The Cineteca by José María Churtichaga and Cayetana de la Quadra Salcedo
  •  Plaza Matadero and other outdoor spaces, by Ginés Garrido, Carlos Rubio y Fernando Porras
  • Escaravox, plaza shading devices, by Andrés Jaque
  • Nave de Múscia by María Langarita and Víctor Navarro
  • Entry Pavilion by Arturo Franco
  • Design Center by  José Antonio García Roldán
  • Naves del Español, run by the national Teatro Español and designed by theater director Mario Gas and stage designers Jean Guy Lecat and Francisco Fontanals, under the coordination of municipal architect Emilio Esteras
  • Home of the Ballet Nacional de España and the Compañía Nacional de Danza, rehabbed in the 1990s by Antonio Fernández Alba 
Escaravox shading devices by Andrés Jaque. Image: Andrés Jaque.
Nave de Música by María Langarita & Victor Navarro. Photo © Luis Diaz Diaz

Nave 16. Photo © Roland Halbe

Cineteca by Churtichaga & De la Quadra Salcedo

Nave de Musica, Plaza from Wikipedia by AlesKubr2