Showing posts with label Langarita Navarro. Show all posts
Showing posts with label Langarita Navarro. Show all posts

Tuesday, May 12, 2015

Langarita and Navarro in Architectural Record


(Imagine them talking with animation instead of posing)

I profile architects and partners María Langarita and Victor Navarro in the May issue of Architectural Record. Their profile appears in a new section, Firms to Watch (link). The quotes below are from my original submitted text, as the published version got a bit diluted in the editing and cutting process.


All photos © Luis Díaz Díaz

On their Red Bull Music Academy in Madrid's Matadero Cultural Center (above):
"For Red Bull, the paintings of Philip Guston –"all his juxtapositions, the accumulations of heterogeneous things," says Langarita– helped inspire the whimsical gathering of house-like rehearsal rooms along a raised walk. The couple collected other visual references for the project, including pictures of sleds, as they studied different ways to lift the temporary structures off the earthen floor. The sleds may also have suggested the combination of bright-red exposed electrical conduits with the unfinished plywood walls."


"Our need to bring images to the project arises from working always in dialogue with others and not alone," Langarita explains. The visual cues serve as instruments in the ongoing "conversation" of the design process. The two see a similar social role for architecture, "as a tool for negotiating co-existence" and avoiding conflicts. In the Baladrar house in Alicante, for example, they gathered a variety of indoor and outdoor spaces around the main living area. "With groups of friends or families, some can play cards while others are with the children, being together without giving up what they want to do," says Langarita."

"The openness to different uses, the focus on social organization and the relative impermanence of these projects can be considered a continuation of the squatter culture of community gardens and occupied public spaces that has sprung up with the crisis in Madrid, the visible face of social protests in which many young architects have participated. Langarita and Navarro's work shares the freshness of these collective experiments, taking their lessons to the next level of deliberated designs."
Visual Cues
Firm to Watch: Langarita-Navarro
Architectural Record, May 2015

Other entries on Langarita-Navarro:

Red Bull Music Academy 
The View from Madrid
November 30, 2012 

Red Bull Music Academy
The Architectural Review
December 2012, pages 46 - 51, cover

Friday, November 30, 2012

No Bull

Canteen. Image courtesy of the architects

The cover story in December's Architectural Review (London) features my article on the Red Bull Music Academy in Madrid's Matadero Cultural Center by Langarita Navarro Architects. The project is one of four winners in the Review's annual AR+D Awards for Emerging Architecture.
"María Langarita summarises, ‘Buildings are like ships that travel in time, with certain technologies from the past, and you decide if you are going to send those technologies again into the future or not.’  In the case of the Matadero, their project promises to quietly disappear, like the village of a nomadic tribe in the underbrush, while sending the naves onward towards a more durable reincarnation."
Red Bull Music Academy
Matadero Cultural Center, Madrid, by Langarita Navarro Architects
The Architectural Review, December 2012, page 46, cover

Hidden corner of the Academy. Photo by DC

Sunday, October 14, 2012

FAD Prizes Turn to Madrid


Matadero. Casa del Lector by Antón García-Abril. © Roland Halbe

Catching up on news, the winners of the 2012 FAD Prizes were announced this summer. And though based in Barcelona and traditionally anti-centric, the two most significant awards this year went to projects designed by multiple teams in Madrid.

The Prize for Architecture went to the conversion of the sprawling halls  of Madrid's early 20th century slaughterhouses, the Matadero, into a sprawling cultural center.

Madrid Rio. Bridge by Dominique Perrault. Photo: DC
 And the City and Landscape Prize went to the equally sprawling  Madrid Rio, a 10-kilometer park along the banks of the Manzanares River, passing directly in front of the Matadero. It was designed by a team lead by Ginés Garrido and including the firms Burgos & Garrido, Porras La Casta, Rubio & Álvarez-Sala and West 8, with special interventions by Dominique Perrault (pedestrian bridge over the river) and others.

Like Madrid Rio, the Matadero project has is sponsored by the municipal government, which has conceived the complex as "a creativity support center." And it describes the rehab of the existing pavilions as a "field of experimentation for new architecture" (both quotes from the Matadero web page).

Spaces include:
  • Nave 16, dedicated to art and artists' studios, by the architects Alejandro Vírseda, Iñaqui Carnicero and Ignacio Vila Almazán.
  • The Casa del Lector or House of the Reader, operated by a private foundation and opening this month, by Antón García-Abril
  • The Cineteca by José María Churtichaga and Cayetana de la Quadra Salcedo
  •  Plaza Matadero and other outdoor spaces, by Ginés Garrido, Carlos Rubio y Fernando Porras
  • Escaravox, plaza shading devices, by Andrés Jaque
  • Nave de Múscia by María Langarita and Víctor Navarro
  • Entry Pavilion by Arturo Franco
  • Design Center by  José Antonio García Roldán
  • Naves del Español, run by the national Teatro Español and designed by theater director Mario Gas and stage designers Jean Guy Lecat and Francisco Fontanals, under the coordination of municipal architect Emilio Esteras
  • Home of the Ballet Nacional de España and the Compañía Nacional de Danza, rehabbed in the 1990s by Antonio Fernández Alba 
Escaravox shading devices by Andrés Jaque. Image: Andrés Jaque.
Nave de Música by María Langarita & Victor Navarro. Photo © Luis Diaz Diaz

Nave 16. Photo © Roland Halbe

Cineteca by Churtichaga & De la Quadra Salcedo

Nave de Musica, Plaza from Wikipedia by AlesKubr2