Tuesday, May 12, 2015

Mega Manhattan a la BIG




© Ike Edeani / The Atlantic

The Atlantic reports on the Bjarke Ingels apartment building currently under construction on West 57th Street (link). If it is half as good as the renderings, it's the most exciting new building in New York in years.

(Updated May 5, 2017, see below)

Ingels designs to the scale of modern development, abandoning outdated and outgrown formulas of towers and slabs, big boxes and malls.

The work reminds me of some of the landform buildings of Spanish Organicism, such as Fernando Higueras' Las Salinas Hotel in Lanzarote. A new approach to the megastructure?

Fernando Higueras, Hotel Las Salinas, Lanzarote, 1973-77

Waïf / Tumblr

Aitor Estevez 2011 / Tumblr

Contemporary postcard. Blog Postales Inventados, Dec. 5, 2009

Kirsten Capps
The Atlantic
May 2015

See also: 
HOT TO COLD: an odyssey of architectural adaptation
Exhibition of work of Bjarle Ingeles
National Building Museum
Washington, DC
Until August 30, 2015
Catalog available

BIG: Bjarke Ingels Group

Update May 5, 2017

 

Image may contain: sky, skyscraper, cloud and outdoor
Photo: Jeffrrey English, April 16, 2017

I took a stroll with my friend Jeff around the finished building on a recent trip to New York.  The impact from the street is brutal. You see how cheaply it is thrown together. On the back side on West 58th Street the ground floor is full of floor-height mechanical louvers, and on 57th the aluminum-framed storefront glazing isn't much better. Though at least this facade got some sunshine. Definitely a design for the distant view - and for the media view.

The idea of living there isn't very appealing either. Too much like a beehive, you imagine the warren of narrow corridors on every floor, and the little studios and one-bedrooms. Like an over-dimensioned college dorm or, inevitably, a cruise ship without public spaces.

The location is not attractive either, but that's nothing new on Manhattan's formerly industrial and fast-developing Hudson River environs.

Saturday, May 9, 2015

Barozzi Veiga in the News


Barozzi Veiga's Philharmonic Hall in Szczecin, Poland has won the European Union's 2015 Mies van der Rohe Prize for Contemporary Architecture.

I've interviewed the Barcelona-based architects for The Architectural Review in 2013 and profiled them in Design Vanguard for Architectural Record last December.

My blog entries on these articles, with links for subscribers, can be found here:
http://viewfrommadrid.blogspot.com.es/…/lab…/Barozzi%20Veiga


The announcement for the prize can be found here:
Foundation Mies van der Rohe 

The Architectural Review's March 2015 article on the building:
http://www.architectural-review.com/8679660.article

Sunday, April 19, 2015

Smooth Operator

Photos © Diego Opazo
 "As elegant and succinct in form as a corporate logo or a hockey puck."

That's the line the editors cut from my article on a house in Valencia by Fran Silvestre, featured in Record Houses this month (link here). Probably the right call, but it was the only real zinger in the piece. On the other hand, I love their title (above). And the house made the cover.
"The project required some structural sleight-of-hand to arrive at this simplicity of line. The entire house stands on four columns, which rise two stories through the short lateral walls to support the roof's concrete vault. The bedroom floor is suspended from this vault via high-strength concrete panels hidden in the partitions ... (leaving) the ground floor ceiling completely free of interruptions.... The two overhangs counterbalance each other, extending up to 18 feet."

If you are wondering about the seamless exterior finish, it is solid-surface, better known as Corian, mainly used in kitchen counter tops.



Smooth Operator
Balint House, Valencia, Spain, by Fran Silvestre
Architectural Record, Record Houses, April 2015, pages 94 - 99, cover


Sunday, March 22, 2015

Country Vernacular

The Architectural Review  sent me to a hilltop village in Catalonia to see small archeological museum by Barcelona architect Toni Gironès (story available to subscribers here). I was surprised that such an unspoiled place still exists - off the tourist trail.

Photos DC unless noted

From the first paragraph:
"Seró, the site of this center housing fragments of megalithic sculptures found nearby in 2007, is a rural hamlet of scarcely 75 souls located in the foothills of the Pyrenees."


Photo, Toni Giuronès webpage. All rights reserved
 
"In its isolation and its elementary urban condition, the settlement has provided Barcelona architect Toni Gironès with an ideal setting to re-examine the role of architecture in contemporary society: what sets a design apart from the merely functional agricultural buildings of the town, determined by brute necessity, and at the same time, what it can both take from and give back to those buildings, enriching our appreciation for their material qualities, structural strategies and relation to the cultivated landscape. By the same means, he explores how architecture might disentangle itself from popular notions of icon building and static representation, without losing its capacity to confer and extend the largess of deep poetic resonance."




Some of the agricultural buildings that inspire Gironès

Toni Gironès





The chamber housing the megalithic fragments, wrapped in layers of ceramic latticework, with a floor of packed clay and skylights over each fragment. 



Toni Gironès leaning on one of the skylights above the chamber


 In the bar and wine tasting room for local products, the same latticework is filled with empty wine bottles on the exterior walls. And filled ones on the interior walls. The bottles are corked in winter to create an insulating cavity, and a couple are removed entirely in the summer to create air currents.


 The roof is completely accessible, and enclosed in matts of rebar, with brick paving, including "gravel" made of broken brick


Toni Gironès



Toni Gironès

 The bits of glass on the upper plaza cover skylights for the exhibit space below, one for each vitrine housing artifacts found in the tombs.

Toni Gironès

Ramps connect the upper level with the ground. The last section of the ramp is made completely of rebar, which slips into the courtyard. The courtyard separates the bar and meeting room from the pavilion housing the steles.

The rebar, the oxidized colors everywhere -- it's a bit overwhelming and very rough. I found all the ceremonial circulation over-cranked. The suggestion of spaces conceived to promote social interaction seemed to me more promising, although the chamber housing the steles is a real tour de force.

Plan, lower level

 Sacred and Profane
Archeological Museum in Seró, Spain, by Toni Gironès
The Architectural Review, Volume CCXXXVII , Issue 1416
March 2015, pages 66 - 78