Showing posts with label Estudio Entresitio. Show all posts
Showing posts with label Estudio Entresitio. Show all posts

Thursday, May 15, 2014

Spanish Architects Recognized Abroad

HURTADO, CARNICERO & ESPEGEL
Architects Maria Hurtado of estudio entresitio, Iñaqui Carnicero and Carmen Espegel of espegel-fisac will participate in an AIA conference on Spanish public housing.

Social Housing in Spain
Thursday, May 29th
6:00 - 8:00 PM
The Center for Architecture
536 LaGuardia Place NY, NY 10012
(212) 683-0023
cfa.aiany.org

Factoria Jóven, Merida. Photo © Roland Halbe

SELGASCANO
José Selgas & Lucía Cano of SELGASCANO have bee recognized as Architects of the Year by the Iconic Awards 2013 of the German Design Council.


Tuesday, April 1, 2014

Entresitio in Record Houses

#house#1.130
© Roldand Halbe
It's April, Record Houses time again, and once again a house in Spain is among the eight works selected. Known as "#house#1.130" (a rather ungraceful moniker in my opinion), the Spanish work is by Estudio Entresitio, with partners Maria and José Maria Hurtado and César Jiménez. See the full story in Architectural Record here.

The article begins,
"The interweaving of indoor and outdoor spaces recalls the condensed landscapes of classical Chinese gardens in Suzhou: tightly framed vistas are crossed in close succession by multiple spatial events–glazed pavilions, light wells, bridges, terraces, beds of vegetation, a covered pathway angling slightly out of view."
 And for an idea about what it's all about:
"The ribbons of greenery, which extend below-grade to the light wells and run up a ramp to the roof, are just one element in the design's multidimensional knitting together of inside and out. In its first proposal to the client, the architect developed this strategy even more intensely. It was based on a honeycomb of hexagonal rooms and patios that was systematically distorted in size and shape according to programmatic requirements. Each distortion created adjustments in adjacent hexagons, following a mathematical system known as a Voronoi diagram."
#house#1.130 by Estudio Entresitio
© Roldand Halbe

Down the Garden Path
#house#1.130 by Estudio Entresitio
Architectural Record, Record Houses, April 2014

Photos © Roldand Halbe
Used with permission

#house#1.130
© Roldand Halbe


Saturday, April 2, 2011

Like the bright plumage of a bird

Color in Spanish architecture is the theme of a long article I've written for the latest issue of the Russian biannual journal Speech. It is a theme particularly apt to Spain, for some reason the most radical experiments anywhere in the use of color in the past six or seven years can be found here. We cover the spectrum, from well-known works by Nouvel, Miralles + Tagliabue and Hadid to virtually unpublished works, such as the medical clinic in St. Martín de la Vega by Pedro Urzáiz and Carlos Pérez-Pla, which uses glass with an inner layer of a prismatic gel that reflects and solarizes the surrounding context in surreal colors (photo top © Miguel de Guzmán) and a secondary school in Las Mesas (Province of Cuenca) by Blanca Rosa and Natalia Gutiérrez of GRG Architects in Madrid (photo below © Roland Halbe).
Color plays at least four different roles in contemporary Spanish architecture. In the first place, we find it used in a traditional way, as an integral sensual quality of finish materials. Secondly, color is used as a system of coding building elements, although this "functional" approach is often mixed with more sensual intentions. Thirdly, we find works that feature a random rainbow splattering of many different colors over finish surfaces, a manifestation of the current recourse to aleatoric or irregular compositional methods, and a response, it seems, to the sensual pleasures of the simple, unmediated experience of color. Finally, we sometimes find color used to create an experience of total immersion, in which colors flood and stain space itself, making space manifest and transforming the normal perceptual conditions of reality.
Like the bright plumage of a bird
Color in Spanish architecture
Speech 06/2010, December 2010 (received March 2011), pages 208 - 226.
Table of Contents

Projects by the following architects (in order of appearance): 
Nouvel, Miralles - Tagliabue, Mansilla + Tuñón, SelgasCano, Mangado, Rogers - Lamela, Haiku Architecture, Amann, Cánovas + Maruri, Pino - Paredes, Aguinaga, Camacho + Macía, RCR Architects, Hadid, GRG Architects, Urzáiz - Pérez-Pla, MI5 Studio, Estudio Entresitio.

Wednesday, April 21, 2010

Black Prince















Estudio Entresitio's subsidized rental housing tower in the Vallecas Ensanche of Madrid is the subject of my latest article in Bauwelt: Wider den postmodernen Städtebau (Against Postmodern Urbanism), in Bauwelt 15.10, April 16, 2010, pages 26 - 31.

The tower was built by the Municipal Housing Authority of Madrid, and is probably the best of some 40 public housing projects completed or underway in the development.

It is an ambivalent monument, offering no illusions of utopia or mythic triumph, no narcotic thrill or calming anesthesia. Could it be proposing instead a new, post-Matrix realism, in which the precise, sensual facts of the architectural object attempt to shake us out of our media reveries and back into the present fallen world?

Photo © Roland Halbe, used with permission.
Two more pictures from the Bauwelt webpage.


Look here for a video of the building made by Diego Hurtado de Mendoza for the architects.

Wednesday, January 20, 2010

Menis and Moneo in Speech

The 4th issue of the Russian bi-annual journal Speech, dedicated to the theme of materiality, has just been published. It includes my interview with Fernando Menis (Using what's at hand, pages 220 - 240) and my article Over Carthaginian Stones, on the Museum of the Roman Theater in Cartagena by Rafael Moneo (pages 138 - 152).

Also included in the issue is Estudio Entresitio's Health Clinic in San Blas, Madrid.

Photo: Tunnel under the ruins of the Santa María la Vieja Church, Cartagena, by Rafael Moneo. Photo by DC.