Friday, August 9, 2013

Javier Carvajal, 1926 - 2013


Business School, Barcelona, 1961. Wikicommons & U. of Navarra

I am behind on news stories that haven't made the jump between Spanish and English readers. The most important was the death last June 14th in Madrid of architect Javier Carvajal at the age of 87.

Carvajal was a key figure in the revival of modern architecture in Spain in the 1950s and 60s. He was an important model for the more abstract formalist work of many Spanish architects today - especially among those who share his conservative politics and religious values. His identification with the Franco regime in the tumultuous 1970s, in positions of power such as director of the Barcelona School of Architecture and the Madrid College of Architects, cost him dearly in later years.

Emblematic works include:
  •  Residential tower, Plaza de Cristo Rey, Madrid, 1954-58, with Rafael García de Castro (seen in the classic comic movie Los Tramposos of 1959, with Tony LeBlanc).
  • Business School, University of Barcelona, 1955-61, with García de Castro.
  • Pantheon to the Spanish Dead, Rome, 1957, with his brilliant contemporary, José María García de Paredes, a prelude to his stark, expressionist, abstract style of the 1960s.
  • Church of Our Lady of the Angels, Vitoria, 1958-60, also with García de Paredes.
  • Directed Settlement of Almendrales, Madrid, 1958-64, with García de Paredes, José Antonio Corrales and Ramón Vázquez Molezún. Pioneering public housing.
  • Spanish Pavilion, New York World's Fair, 1964.
  • A series of houses in northern Madrid in the 1960s, exemplified by his own house in Somosaguas,1964-65, where his expressionist style came into over-ripe maturity. It was the setting for Carlos Saura's claustraphobic 1969 movie La Madriguera.
  • Valencia Tower, Madrid, 1968-72, which provoked protests for intruding on views of the Retiro Park and the Puerta de Alcalá.  


Garcia-Valdecasas House, Somosaguas, 1965. Photo ©Jorge Losada


The story in the press:

Other interesting web pages:
  • Photos of late work by Jorge Losada 
  • Tallermuse blog: photos by Javier Villa, coll-barreu-arquitectos, Ekain Jiménez Valencia, Garikoitz Estornés and others, with texts and list of works on blog. All the photos below come from this source.

This and below, Carvajal House, Somosaguas 1965



 






Sobrino House, Aravaca 1966



Tuesday, August 6, 2013

"AR House 2013" Award to Grupo Aranea

© Jesús Granada

Still catching up on my July articles, I wrote in The Architectural Review on the Lude House in Cehegín, Murcia by Francisco Leiva and Martín López Robles of Grupo Aranea, based in Alicante. The design shares AR's HOUSE 2013 Award (see the full article here).
"The spiral pull of the design carries visitors up to the roof, which visually connects the house to its natural setting, lifting it out of the mundane local streets to find its place in the wider world, almost like a Greek temple. Up on the roof, Francisco Leiva eagerly points out the sights, from the choppy roofscape of the houses below, invisible from the street, to the profile of the historic town center on its hill in the near distance, and the bowl of mountains and hills surrounding the town, with their orchards of apricots and other fruit trees, or cut by the terraces and tailings of marble quarries.... The overlapping, spiral movement of this little house is like that of a sprouting seed, an organic life force in vital contact with planet Earth."
AR House 2013 Joint Winner
Casa Lude, Spain by Grupo Aranea
The Architectural Review
Vol. CCXXXIII, No. 1397
July 2013, pages 30 - 37

The architects on the roof by DC

View of town with unfinished public water park



View of distant marble quarries from roof of house

Thursday, August 1, 2013

El País: The Organicists Return




 Nieto & Sobejano
Andalusian Space for Contemporary Creation
Córdoba
Last Saturday, Babelia, the weekend cultural supplement of El País, published my article on the New Organicism. I have scanned the page, which can be found on my webpage here.

New Organicism is a movement in recent Spanish architecture that returns to some of the strategies of the first organicist architects of the 1950s and 60s, inspired in the writings of Bruno Zevi and the work of Frank Lloyd Wright and Alvar Aalto. This was the Spanish equivalent to the New Brutalists in England and Team X.

As in previous articles in The Architectural Review, Bauwelt and the French journal Archicréé, I use Fuensanta Nieto and Enrique Sobejano's Andalusian Space for Contemporary Creation to introduce this movement, and I cite other examples such as Mansilla & Tuñón's MUSAC Museum in León.
Cellular scheme of MUSAC. Courtesy of Mansilla & Tuñón


Model with cellular central galleries. Courtesy of Nieto & Sobejano

From the article:
"El organicismo nació en los años cincuenta del siglo pasado, casi a la vez que el resurgimiento del racionalismo ortodoxo, y entró en su plenitud con la expansión económica de los años sesenta. Mientras los racionalistas miraban hacía el rigor técnico y la abstracción espacial de Mies van der Rohe (Francisco J. Sáenz de Oiza en las viviendas en hilera de Entrevías), el organicismo surgió como una opción más barroca. Tomaba sus modelos espaciales de la naturaleza, substituyendo un concepto del espacio universal y uniforme por respuestas locales y particulares. Su teórico fue el italiano Bruno Zevi y sus modelos, las arquitecturas de Frank Lloyd Wright y Alvar Aalto. El concepto orgánico del espacio es frecuentemente celular, entrecruzando repetidas unidades geométricas en un tejido (la colmena de células hexagonales del Pabellón Español en la Exposición de Bruselas de 1958, de José A. Corrales y Ramón Vázquez Molezún) o en una flor (la Corona de Espinas de Fernando Higueras) o en el tronco fibroso de un árbol (las Torres Blancas de Oiza). Si el racionalismo se basa en líneas y planos, el organicismo encontró su estructura compositiva en la combinación geométrica de patrones repetitivos."

El nuevo organicismo
The New Organicism. Works by Nieto & Sobejano and others
El País, Saturday, July 27, 2013, Babelia, page 15


See also:
Concrete Arabesque
The Architectural Review, March 2013, pages 62 - 73

Grosse Fassaden
Bauwelt 14.13, April 12, 2013, pages 16 - 25, cover

Retour à l'organique
Archi Créé 361-362
June-July-August 2013, pages 168 - 175