My latest article in the bi-annual Russian journal
Speech features a pair of entry canopies for metro stations on the periphery of Valencia, Spain that could be described as nifty sunglasses.
"The chief attraction of the stations are their spectacular glazed tubular pavilions... The glazing has a layer of acetate between two panes of 10mm glass, which provides solar protection, lowering thermal loads. The film also refracts light in different colors depending on the angle of incidence, viewpoint, reflections and other factors."
Unfortunately, the park they form part of, which was to have been created along the right-of-way of the former surface line (it now runs underground) has not materialized, another victim of cuts in public spending due to the crisis. So the stations stand in a no-mans- land.
"These effects are further multiplied by the many panes of shattered glass, the result of vandals throwing rocks at them – the pavilions make for an inviting target amid their abandoned surroundings. These smashed panels are held in place by the lamination and covered with a dense crazy-quilt patterns of cracks, which catch brilliant nets of light. The result is actually quite attractive...."
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| Photo: DC |
"The
stations stand as another vivid symbol (as if another were needed) of the
current state of Spanish architecture, once much in demand by politicians who
actually understood it little, and now abandoned, another piece of refuse left
over from the disaster of overbuilding in Spain. But in this premature
decadence they assume a new role that is the fate of any building that survives
into a time beyond the era of its conception and usefulness (in this case their
usefulness as a political symbols of largess and grandiosity), becoming a
fascinating relic, like a magnificent
peacock strutting amid the rubble of a once Eden-like park."
East of EdenCarolines and Benimàmet metro stations, Valencia, by Luis Ferrer
Speech 13, January 2015, pages 128 - 137, cover
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| Photo: DC |
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